Margaret Suchland - Book Bundle n.4 by Abecedarian Gallery on Flickr.
book of tea #2, august 25, 2012
jennifer coyne qudeen
In April of 2009 a family home in rural Vermont burned to the ground. Fifteen months later I walked through the charred foundation and found a family photo album and a box of snapshots that had melted into a dark mass. Locals told me that that after the fire, the family had moved away and what was left there had lain exposed to the snow, rain and heat of several seasons. The object I found was a palimpsest of otherworldly patterns and colors. Nearly all recognizable imagery (the very purpose of snapshots) had dissolved, leaving an intricate visual record of the elements, chaos and loss.
Slowly, I separated each snapshot from the mass and spread them out across the table like artifacts from some future archeological dig. The paradox of intimacy and abstraction embedded in each 4x6 sheet begged to be decoded. In photography, the “latent image” refers to an image that has been recorded, but is not yet visible, still holding the potential for meaning. But how do we talk about an image that, once visible, has receded into it’s own materiality; the rippling, cracked emulsion of a color photograph? The production of chromogenic photographs is now in rapid decline, but for decades we have depended on this material to record, rewrite and memorialize our lives. Through one destructive, albeit common, event these familiar images have been transformed into bizarre microcosmic landscapes shaped by their own chaotic material logic. This disruption interrogates our collective dependency on a very unstable medium and suggests it’s unlikely, transformative power.
(Source: blknymph)
Elizabeth Bunsen
July 7
m/m journals in the making
“The books had been left to the elements and as a result their appearance was decayed, fragile, almost romantically beautiful. These books had been part of an installation, a performance work and now are presented as sculpture. By removing the binding, and replacing it with wire, she was able to seal and bury the book and let natural corrosion take place.” (+)
Mary Ellen Long’s, Books: Untitled [her website —- more info. here]
Memoria Technica
Mixed media artist’s book, 8 x 50 x 8, 2002
Luca Caccioni, “Lotophagie 11”, mixed media